BIBLIOGRAPHY

Andre Arsenevich Tarkovski (1987). Sculpting in time: Reflections on the cinema. Austin, Tx: University of Texas Press.

Baudrillard, J. (1981). Simulacra and simulation. Ann Arbor: The University of Michigan Press.

Baudrillard, J. (1988). America. London: Verso.

‌Bernays, E.L. (2005). Propaganda. New York: Ig Publishing.

Breznican, A. (2022). After ‘Stranger Things’: The Duffer Brothers Look Into the Future. [online] Vanity Fair. Available at: https://www.vanityfair.com/hollywood/2022/05/stranger-things-explained-dufferbrothers?srsltid=AfmBOorNB0pLJDKwnUNLFRZ9ZQulg6uKyuXBkCoLHhIUFoMqyWWTaG9A [Accessed 4 Feb. 2026].

Colomina, B. (1996). Privacy and Publicity: Modern Architecture as Mass Media. Cambridge: MIT Press.

Curtis, A. (2002). The Century of the Self. Box of Broadcasts, BBC.

Eisenstein, S. and Leyda, J. (1949) Film form; essays in film theory. [1st ed.]. New York: Harcourt, Brace.

Eisenstein, S. and Leyda, J. (1986). The film sense. London: Faber And Faber.

Fisher, M. (2014). Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Zero Books.

Gilles Deleuze (2005). Cinema 1: The Movement Image.

Gilles Deleuze (2005). Cinema. 2. London: Continuum.

Hito Steyerl (2012). Hito Steyerl: the Wretched of the Screen. Berlin, Germany: Sternberg Press.

Jaron Lanier (2018). Dawn of the new everything: a journey through virtual reality. London: Vintage.

Kuleshov, L.V. (1974) Kuleshov on film: writings of Lev Kuleshov. First edition Berkeley, California: University of California Press

Murch, W. (2001). In the Blink of an Eye: a Perspective on Film Editing. 2nd ed. Los Angeles: Silman-James Press.

McIntyre, L.C. (2018) Post-truth. Cambridge: MIT Press.

‌Ogilvy, D. (1983). Ogilvy on advertising. London: Prion.

Orlowski, J. (2020). The Social Dilemma. Netflix.

Rushton, R. (2011). The reality of film : theories of filmic reality. Manchester: Manchester University Press.

Rovelli, C. (2019). The Order of Time. Penguin Books.