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10th February 2026

A week tomorrow it will be my birthday. I have realised that I cannot fully alter the animations – they are recreations of something seemingly innocuous but by simply remaking them they are given a new light. To draw over them would be changing them too much – they’ve got to speak for themselves.

Animating the phone’s first-person perspective – the camera as the primary tool of self-conceptualisation. If I combined different reels etc, I could create my own narrative or algorithmic film. How could I create my own fake reels. Perhaps I shoot them in the photography studio, then print those off and redo the process?

If I did the other method, it would become a type of strata-cut.

ESSAYS

essential tom alabama reading

  • IN THE BLINK OF AN EYE: A PERSPECTIVE ON FILM EDITING Murch 2001
  • SIMULACRA AND SIMULATION Baudrillard 1981
  • AMERICA Baudrillard 1986
  • PRIVACY AND PUBLICITY: MODERN ARCHITECTURE AS MASS MEDIA Colomina 1996
  • THE ORDER OF TIME Rovelli 2019
  • THE CENTURY OF THE SELF Curtis 2002
  • PROPAGANDA Bernays 1928
  • GHOSTS OF MY LIFE: WRITINGS ON DEPRESSION, HAUNTOLOGY AND LOST FUTURES Fisher 2014
  • THE SOCIAL DILEMMA Orlowski 2020
  • UNDERSTNADING COMICS: THE INVISIBLE ART McCloud 1993
  • STILLNESS SPEAKS Tolle 2003
  • THE CREATIVE ACT: A WAY OF BEING Rubin 2023
  • DAWN OF THE NEW EVERYTHING: A JOURNEY THROUGH VIRTUAL REALITY Lanier 2018
  • KULESHOV ON FILM: WRITINGS OF LEV KULESHOV Kuleshov 1974
  • FILM FORM; ESSAYS IN FILM THEORY Eisenstein and Leyda 1949
  • THE FILM SENSE Eisenstein and Leyda 1986
  • SCULPTING IN TIME: REFLECTIONS ON THE CINEMA Tarkovski 1987
  • BLOOD MERIDIAN McCarthy 1985
  • POST-TRUTH McIntyre 2018